Going behind the scenes with director Mira Nair.
Sukanya Verma lists the lessons Bollywood taught us this year.
'My father is the best father in the world. He is not strict; he has never shouted at us. Anybody who meets my mom will fall in love with her. Bhaiyya pampers me. But for him, I will always be a baby. The age difference between us is quite big.' Shaandaar actress Sanah Kapoor talks about her famous family.
After injecting life into Mumbai's Prithvi Theatre and running it for years, Sanjana Kapoor tells Anjuli Bhargava that she is consumed by a new passion -- Junoon.
Meet Randeep Hooda, the man with a great sense of humour, an actor who loves his craft, an animal lover and, over and above all that, a Jat lad in touch with his roots...
'I have been offered the main lead many times now, including romantic and action hero roles. But they're not interesting. I want to do films like Aandhi, Angoor, Ram Aur Shyam, Mela, Deewar, Zanjeer and Sholay but I don't have a plan.' Mohammed Zeeshan Ayyub gets ready for the next level.
On the 20th anniversary of her tragic death, the actress remains strikingly relevant.
'We have won our political freedom, we have liberalised our economy and now it's time to liberate our minds also. That is why this film.' Director Ketan Mehta lists his reasons for making Rang Rasiya.
Shashi Kapoor, the star who made us laugh, romance and cry, passed into the ages on December 4. We look back at the often underrated actor, who reinvested all his earnings as an actor into making films and keeping the theatre he established, Prithvi Theatre, alive.
The movies that impressed, puzzled and stunned Sukanya Verma at MAMI this year.
And no, the list doesn't start and stop with Boman Irani!
One of Bollywood's most rock-solid careers, Anil Kapoor shows no signs of stopping!
'...that it takes fantasy seriously as a part of real life'... A fascinating excerpt from Jonathan Gil Harris's book, Masala Shakespeare: How A Firangi Writer Became Indian.
Things are off to a good start when a lead movie character appears for the first time against strategic music or swaggering drama and the audience bursts into wholehearted whistles and applause.
Jaane Bhi Do Yaaro, Parinda, 1942: A LOve Story, Devdas, Kareeb, Mission Kashmir, Munnabhai MBBS, Rang De Basanti, Delhi 6, Bhag Milkha Bhag, Kalank... all bear the visual stamp of Binod Pradhan's genius.
'I am going to direct a film for him.' 'He thinks I will make a good film.' 'For me, that in itself is an award.'
'Actors are the least confident people. I feel awkward when I go to parties and meet people. It's getting better but I am still not as confident as I'd like to be.' Deepika Padukone gets candid.
There is nothing the young Purvanchali wants more desperately than to escape to a place with less hopelessness, and some opportunity, discovers Shekhar Gupta.
'When the same rotten paratha is served to someone year after year, it shocks them when all of a sudden there is a change in taste.' Kay Kay Menon justifies why he took up Yudh.
'Our country needs 542 Narendra Modis,' Paresh Rawal tells Sonil Dedhia.
'Mumbai is very different from the rest of India. It can be ruthless if you don't have work or friends. The struggle time and times of disappointment are horrific and can break you.'
In 2014, young Muslims became Owaisi fans. But five years of BJP rule and a weakening Opposition have drawn older Muslims too towards the AIMIM chief. Not enough, though.
Meet the man behind MS Dhoni: The Untold Story.
A look at Shyam Benegal's period classic, Junoon.
Sridevi's amazing dedication, Ranveer Singh's Scarface, Ranbir-Alia on nepotism and more in Sukanya Verma's emotionally charged Super Filmi week.
The actress released her statement recently, deriding irresponsible reporting of the incident.
'AMU is a secular university with an Islamic ethos.' 'We do not discriminate on the basis of religion. Let me tell you Muslims do not need reservations. They need affirmative action in education.'
'We are not in the crore game, at least not me.' 'So when I do a film, I do it purely on its merit, where I think we will go ahead and make a fantastic film.'
Prime Minister Narendra Modi on range of issues -- from Rafale deal to Ram temple and triple talaq.
Lawyer turned entrepreneur Parama Ghosh shares her story.
Aseem Chhabra lists the movies that taught him about the Idea of India.
Kay Kay Menon gets candid about the film industry.
'In our film industry, there are not many opportunities for actors... Our films are not character based, they are hero and heroine based. The only roles we have for character actors are to play the girl's or boy's dad or a police officer...'
'Woman need to be respected much more in our country. But choices should be allowed for women as well as men. I don't care about the box office collections of Ki & Ka; I care about the thoughts and conversation that it brings on. Every actor has that one film in their filmography where they pushed the envelope further.' Arjun Kapoor takes on new challenges with Ki & Ka.
P K Nair dedicated his life to restoring and archiving films.
Aseem Chhabra looks at the year's best Non-Hindi Indian movies.
How many of the 354 films Aseem Chhabra watched in 2017 have you seen?
Neeraj Pandey, who has written and directed the films A Wednesday and Special 26, has written a novel called Ghalib Danger.
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